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I finished the first draft of FORTITUDE last Tuesday, September 10, 2013. Cue the party horns!

It felt great and I immediately took a few days off from serious writing because I busted my fingers and brain the previous two weeks to get it done. Yes, even though it’s Laurie Halse Anderson’s annual WFMAD challenge this month, I played hooky. I’d planned on keeping away from FORTITUDE for a couple weeks to get the whole distance and perspective break most professionals suggest writers take before diving into revisions, but that didn’t happen.

What did happen was something like this:

DAY OUT WITH FRIENDS IN NEW ORLEANS

Last Thursday I drove Joyce, Lee Ann, and MeLeesa to the big sleazy for dinner and a concert at House of Blues. We bought tickets for the Hanson show at the beginning of summer but it happened to fall in place that we all had literary milestones to celebrate last week: fishing drafts, multi-book contracts, and waiting to hear back from NYC editors. It was—is—an exciting time and we all needed the change of pace to escape the writing cave and chill with those who understand.

(Yes, I did say Hanson and I’m not ashamed. My musical interests span genres and centuries and there’s a special place in my music library for the guys of Hanson. They rock, with a little Motown jive here and there, plus they’ve matured nicely.

Just to show a sampling of what I listen to, on the drive back I switched from Hanson to Mitch Malloy to Boston before settling on Helloween. The guitar chords got heavier as the night grew later because this driver needed to stay alert.)

What happened the day after was constant music playing in my head. Music inspires me—always has, always will—and by late afternoon I had to get back to FORTITUDE. Four days later I’ve finished a complete round of editing plus several scene rewrites/additions to the praises of my first beta reader. I think I’ve got something good here and I can’t wait to share it.